In Animate, we were using tools to draw things. To select the thing we drew, all we had to do was click on it. In Photoshop, we can't select something in an image just by clicking on what we want to select, and therefore how to do selections is important in Photoshop.

Working with Selections (Chapter 3, Adobe Photoshop CC 2018 Classroom in a Book)

About selecting and selection tools (pp. 54)

Making changes to an area within Photoshop is a two-step process

There are four primary types of selections

The Magnetic Lasso, Quick Selection, and Magic Wand Tools all utilize color differences in the image to make the selection

Getting Started (p. 55)

Download the 03Start.psd and 03End.psd files in the Lesson 3 folder in Course Documents and copy them to a folder for today. Open the files using Bridge and examine them. The challenge in this lesson is to arrange the elements in the 03Start.psd file into the page you see in 03End.psd. Double click the 03Start.psd file to open the image in Photoshop and then choose File>Save As, rename the file 03Working.psd.

Adding to or Subtracting from a Selection (couldn't find in text, see beginning of Adobe video on schedule page)

Use a selection tool (e.g. the Rectangle tool) and drag in the image to make a selection. You will see 4 groups of rectangles at the left of the options bar. Click the second group of rectangles and then drag another rectangle with the Rectangle tool - this adds to the selection. Then click on the third group of rectangles and drag another rectangle - this subtracts from the selection. Instead of clicking the second group of rectangles you can hold down the Shift key when making the selection; instead of clicking the third group of rectangles, you can hold down the Alt key when you are making the selection. The fourth group of rectangles provides the intersection of two selections; i.e. the area common to both.

Using the Quick Selection tool (p. 55-56)

With the Quick Selection tool, you paint an area of an image and the tool automatically finds the edges; you then can add or select areas of the selection until you have what you want.

  1. Select the Zoom tool and then zoom in until you can see the sand dollar well.
  2. Select the Quick Selection tool in the Tools panel (second down in the second column)
  3. Click on an off-white area inside, but near, the outside edge of the sand dollar.

Moving a selected area (pp. 58-59)

  1. Select the Move tool (top of first column).
  2. Drag the selected area up to the left area of the frame, which is labeled A in this picture. Position it over the target area, leaving the lower part of the target area showing as a shadow.
  3. Choose Select > Deselect or Ctrl+D (Ctrl and D at the same time) and then choose File>Save.

Note that in this case our starting file only has one layer so the pixels you move will replace the pixels underneath them.

Manipulating selections (pp. 57-60)

Most of the methods to manipulate selections work with any selection; in this section, we will use the Elliptical Marquee tool which enables you to select ovals or perfect circles.

Repositioning a selection marquee while creating it (pp. 58-59)

Selecting ovals and circles can be tricky; it is not always obvious where you should start dragging; there are some keyboard-mouse combinations that can make repositioning selections much easier. If you accidentally release the mouse button at the wrong time, simply start the exercise again at Step 1.

  1. Select the Zoom tool - click the plate of shells (at the bottom left of the image) and zoom to at least 100%, or 200% if the entire plate will fit on your screen.
  2. Select the Elliptical Marquee tool (hidden under the Rectangular Marquee Tool, which is at the top of the second column).
  3. Move the pointer over the plate of shells and drag diagonally to create a selection but do not release the mouse button.
  4. Still holding down the mouse button, press the space bar and continue to drag the selection; instead of resizing the selection, you're moving it. Position it so that it more closely aligns with the plate.
  5. Release the space bar (but not the mouse button) and continue to drag to try to make the size and shape of the selection match the oval plate of shells as closely as possible. If necessary, hold down the spacebar again to move the selection marquee around.
  6. When the selection border is positioned appropriately, release the mouse button
  7. Choose View>Fit on Screen or use the slider in the Navigator panel to reduce the zoom view so you can see all of the object in the image window.

    Leave the selection active for the next exercise.

Moving selected pixels with a keyboard shortcut (p. 59)

  1. If the plate of shells is not still selected, repeat the previous exercise to select it.
  2. With the Elliptical Marquee tool selected in the Tools panel press Ctrl and move the pointer within the selection.

    The pointer icon now includes a pair of scissors indicating that the selection will be cut from its current location.
  3. Drag the plate of shells onto the area of the shadowbox labeled "B"
  4. Release the mouse button, but don't deselect the plate of shells

Moving a selection with the arrow keys (pp. 59-60)

Using the arrow keys moves the selection one pixel; holding down the shift key and using the arrow key moves the selection 10 pixels (similar to Animate).

You can hide the edges of a selection temporarily by choosing View > Show > Selection Edges. To redisplay them, choose View > Show > Selection Edges again to reveal the selection border again (this menu choice toggles between showing the edges and not showing them)

Choose Select>Deselect (or press Ctrl-D). Choose File>Save to save your work so far.

Using the Magic Wand Tool (pp. 60-62)

The Magic Wand tool selects all the pixels of a particular color or color range; it is most useful for selecting an area of similar colors surrounded by areas of very different colors. The default tolerance value is 32, which means it will accept colors +-32 in each of the Red, Green, and Blue colors as being similar to the color of the point where you click. If a multicolored area you want to select is set against a background of a different color, it can be much easier to select the background than the area itself. In this example we'll use the Rectangular Marquee tool to select a larger area, and then use the Magic Wand tool to subtract the background from the selection.

  1. Select the Rectangular Marquee tool (second column, top).
  2. Drag a selection around the piece of coral that is large enough so that you have white between the coral and the marquee on all sides.
  3. Select the Magic Wand tool (hidden under the Quick Selection Tool (second from the top, second column).
  4. In the options bar, confirm that the Tolerance value is 32.
  5. Select Subtract from Selection in the options bar (the overlapping rectangles, second from the right)

    A minus sign appears next to the wand in the pointer icon. Anything you select will be subtracted from the original selection.
  6. Click in the white background area within the selection marquee - the Magic Wand tool selects the entire background, subtracting it from the selection, leaving the coral perfectly selected.
  7. Select the Move Tool (top, first column) and drag the coral to the area marked "C", positioning it so that a shadow appears left and below the coral.
  8. Choose Select>Deselect, and save your work.

Softening the edges of a selection (pp. 62) (skip)

To smooth the hard edges of a selection, you can apply anti-aliasing or feathering, or use the Select and Mask option.

Anti-aliasing smooths the jagged edges of a selection by softening the color transition between edge pixels and background pixels. Since only the edge pixels change, no detail is lost. To apply anti-aliasing, you must select it as an option in the options bar before making the selection. Anti-aliasing is available for the Elliptical Marquee, the Magic Wand, and the various Lasso tools.

Feathering blurs edges by building a transition boundary between the selection and its surrounding pixels. This blurring can cause some loss of detail at the edge of the selection. You can define feathering for the marquee and lasso tools as you use them, or can add feathering to an existing selection,

To use the Select and Mask option, first make a selection, and then click Select and Mask in the options bar to open its dialog box.

Selecting with the Lasso Tools (pp. 63-64)

The Lasso tools have their "add" modes (holding down the Shift key or clicking the "Add to selection" pair of rectangles in the options bar) and "subtract" modes (holding down the Alt key or clicking the "Subtract from selection" pair of rectangles in the options bar) as with other tools.

The Lasso tools are often useful to cleanup a selection made with another tool, e.g. the Quick Selection Tool.

(Optional) You can use keyboard shortcuts to move between straight-line (Polygonal Lasso Tool) and freehand (Lasso Tool) selections.

  1. Using the zoom tool, click the nautilus (the image at the bottom right) to zoom in to at least 100%.
  2. Select the Lasso Tool. Starting the the lower left, drag around the rounded end of the mussel. Do not release the mouse button.
  3. Press the Alt key and then release the mouse button so that the lasso pointer changes to the polygonal lasso shape. Do not release the Alt key.
  4. Begin clicking around the end of the mussel to place anchor points - be sure to hold down the Alt key throughout.
  5. When you reach the top of the mussel, hold down the mouse button as you release the Alt key.
  6. Carefully drag around the tip of the mussel, holding down the mouse button.
  7. When you reach the bottom side of the mussel, first press the Alt key and then release the mouse button. Click using the Polygonal Lasso Tool
  8. Click the starting point of the selection and then release Alt. The mussel is now entirely selected. Leave it selected for the next exercise.

Rotating a Selection (pp. 64)

  1. Choose View>Fit on Screen to resize the image to fit on your screen.
  2. Press Ctrl as you drag the selected mussel to section D. The pointer changes to the Move tool when you press Ctrl.
  3. Choose Edit>Transform>Rotate.
  4. Move the pointer outside the bounding box and then drag to rotate the mussel. Press Enter or Return to commit the transformation.
  5. If necessary, select the Move tool and drag to reposition the mussel, leaving a shadow to match the others. Choose Select>Deselect when you are finished.

Selecting with the Magnetic Lasso tool (pp. 65-66)

You can use the Magnetic Lasso tool to make freehand selections of areas with high-contrast edges. The selection border will automatically snap to the edge between areas of high contrast. You can also control the selection path by clicking the mouse to place anchor points.

  1. Select the Zoom tool and click the nautilus (middle, bottom) to zoom in at least 100%.
  2. Select the Magnetic Lasso tool hidden under the Lasso Tool
  3. Click once along the left edge of the nautilus and then move the Magnetic Lasso tool along the edge to trace its outline.
  4. When you reach the left side of the nautilus again, double-click to return the Magnetic Lasso to its starting point.
  5. Double click the Hand Tool to fit the image in the image window.
  6. Select the Move tool and drag the nautilus onto section E, leaving a shadow below it and on the left side
  7. Choose Select > Deselect, and then File > Save.

Selecting from a Center Point (pp. 66)

In some cases, it is easier to make elliptical or rectangular selections by drawing a selection from an object's center point.

  1. Select the Zoom tool and zoom in on the screw - make sure you can see the entire screw head.
  2. Select the Elliptical Marquee tool.
  3. Move the pointer to approximately the center of the screw.
  4. Click and begin dragging, holding down the Shift key as you drag. Then without releasing the mouse button or the Shift key, press Alt as you continue dragging.

    The selection is centered over its starting point.
  5. When you have the entire screw head selected, release the mouse button first and then release the Alt or Shift key.
  6. If necessary, reposition the selection using one of the methods you used previously. Do not deselect since you will use this for the next exercise.

Resizing and Copying a Selection (pp. 67-69)

Resizing the contents of a selection

  1. Choose View>Fit on Screen
  2. Select the Move Tool
  3. Position the Pointer within the screw selection - the pointer now becomes an arrow with a pair of scissors, indicating that dragging the selection will cut it from its current location and move it to a new location.
  4. Drag the screw on to the lower right corner of the shadow box.
  5. Choose Edit > Transform > Scale.
  6. Press Shift as you drag one of the corner points inward so that it is small enough to sit on the frame. Press Enter or Return to commit the change.
  7. Use the Move tool to reposition the screw after resizing it.
  8. File > Save

Moving and duplicating a selection simultaneously (pp. 68)

You can move and duplicate a selection at the same time.

  1. With the Move Tool selected, press Alt as you position the pointer inside the screw selection

    The pointer changes, displaying the usual black arrow plus a white arrow right beside it, which indicates that a duplicate will be made when you move the selection.
  2. Continue holding down the Alt key as you drag a duplicate straight up to the right corner of the frame. Release the mouse button and the Alt key.
  3. Hold down Alt + Shift as you drag a new copy up to the left corner of the frame.

    Pressing the Shift key as you move a selection constrains the movement horizontally or vertically in 45 degree increments.
  4. Repeat Step 3 to drag a 4th screw to the lower left hand corner of the frame
  5. Select>Deselect, and then File > Save.

Cropping an Image (pp. 69-70)

You can use either the Crop tool or the Crop command to crop an image.

  1. Select the Crop tool - Photoshop displays a crop boundary around the entire image
  2. In the options bar, make sure Ratio is selected in the Preset pop-up menu and that there are no ratio values specified. Then confirm that Delete Cropped Pixels is selected.

    When Ratio is selected but no ratio values are specified, you can crop the image with any proportions.
  3. Drag the crop handles so that the shadowbox is the highlighted area; crop the area so that there is an even area of white around it.
  4. Click the Commit Current Crop Operation button in the options bar.
  5. File > Save.

Major Points of Chapter

Revised: April 6, 2020 . Comments to Bill Pegram,